
still, I will have a couple other basses there at the booth of one of my suppliers
all the best,
R
Moderator: Rodent



great description. i am stoked that I'll finally get a chance to check out Rod's basses next week. I am very much of a first impression type of person when it comes to instruments. I try to let them speak to me as soon as I touch 'em. The Wyn bass I bought at NAMM last year pretty much screamed out my name as soon as i touched it.fivebass52 wrote:That top looks like pictures I've seen of the surface of the sun.. just before a solar flare! Awesome!
Wish I was going to NAMM this year, but look forward to your's, and others descriptions of the basses and products - god or bad - that you describe to us. Very interested to hear what you think of Rod's work/basses.AzWhoFan wrote:great description. i am stoked that I'll finally get a chance to check out Rod's basses next week. I am very much of a first impression type of person when it comes to instruments. I try to let them speak to me as soon as I touch 'em. The Wyn bass I bought at NAMM last year pretty much screamed out my name as soon as i touched it.fivebass52 wrote:That top looks like pictures I've seen of the surface of the sun.. just before a solar flare! Awesome!![]()
At the time Rod described it as a Ferrari. He wasn't kidding. I sure hope his turn out to be Lambourgini's (sp) in disguise.








I have heard endless horror stories about working with Redwood, to the extent that I was hesitant to use these sets on this build. Redwood appears to be very brittle, is prone to chip-out when cutting if your cutting tools are not freshly sharpened, and will burn deeply (like Cherry or soft Maple heartwood) if you hesitate for a millisecond when using a router.Basshappi wrote:I have to say that over the last few years I have become very enamoured of figured redwood. What is it like to work with?








