Looks quite neckdivey, with the bridge that far forward. On his signature Gibsons the bridge (and that silly pinky anchor for his picking hand) sits far closer to the edge of the body, and the body appears much longer - and even THOSE are notorious for their neckdive.
With those EMG's close to the bridge it's much more akin to his old non-reverse Spectorbirds than to his old Thunderbirds. I wonder what prompted him to go back to this setup on his Schecter - or what pulled him to Gibson in the first place when he appears to favour a more modern approach.
Actually I don't wonder. I suppose it's money
